児島善三郎
ZENZABURO KOJIMA
[1893─1962]
ヨーロッパ留学中に体得した立体表現と日本的平面性の両面性を画面の中に大胆に組み入れ、風景画においては、かのピカソもなし得なかった平面と立体的奥行きの融合に加え、情緒と色彩との親和性の構築に成功した類まれなる芸術家である。そこで得たダイナミズムを晩年の静物画や瓶花の絵の中でも縦横に発揮した。一点一点厳密に構成された作品は見るものに静かな喜びと満足感を与え続けている。
Zenzaburo Kojima is an incomparable artist who boldly merged duality of cubic expression obtained in his studying days in Europe and Japanese flatness-expression in the same canvas. In particularly at landscape painting, he had achieved merger of flatness and cubic depth which Great Picasso had never achieved. And he also had succeeded in configurating compatibility of emotion and color. He applied these dynamics freely into still-life painting and flower― vase painting in his final years. The paintings were strictly configurated one by one, and they have been giving viewers still pleasure and satisfaction.
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海と崖児島善三郎Sea and Rocky CliffsZenzaburo Kojima -
芦ノ湖俯瞰児島善三郎View of Lake AshinokoZenzaburo Kojima -
老松児島善三郎Old Pine TreeZenzaburo Kojima -
静物児島善三郎Still LifeZenzaburo Kojima -
「箱根 – 宮ノ下ヨリ強羅ヲ望ム」児島善三郎Hakone (Gora from Miyanoshita)Zenzaburo Kojima -
李朝白磁の壺に薔薇児島善三郎Roses in a Joseon white porcelainZenzaburo Kojima -
ビーチ・パラソール児島善三郎beach parasolZenzaburo Kojima -
アネモネ(1952年頃)児島善三郎AnemonesZenzaburo Kojima -
薔薇(帯)児島善三郎rosesZenzaburo Kojima -
おさげの少女児島善三郎GirlZenzaburo Kojima -
ロロンジュとリジー児島善三郎Zenzaburo Kojima -
国分寺風景児島善三郎KokubunjiZenzaburo Kojima -
蘆ノ湖児島善三郎Lake AshiZenzaburo Kojima -
松児島善三郎Pine TreesZenzaburo Kojima -
庭の雨児島善三郎Rainy GardenZenzaburo Kojima -
田園初夏児島善三郎Early Summer FieldsZenzaburo Kojima -
田園の春児島善三郎pastral in springZenzaburo Kojima -
雪景児島善三郎snowsceneZenzaburo Kojima -
薔薇(1954年)児島善三郎rosesZenzaburo Kojima
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すべてAll
児島善三郎Zenzaburo Kojima
三木富雄Tomio Miki
四谷シモンSimon Yotsuya
織田広喜Hiroki Oda
福井良之助Ryonosuke Fukui
冨田渓仙Keisen Tomita
勅使河原蒼風Sofu Teshigahara
近代美術の名品Masterpieces
縄文土器JOMON DOKI
Esprits SauvagesGallery kojima selection
みの・ばんどりMino and Bandori
金子國義Kuniyoshi Kaneko
伊庭野肇Hajime IBANO
平賀敬KEY HIRAGA
梅原龍三郎Ryuzaburo Umehara
日本画 Nihonga
出版物Publication
